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Writer's pictureDerek Hui

The Fifth Annual No Films Left Behind (NFLB) Awards (March 2023)



As always, a review of the rules I follow when handing out the awards:


- Every movie that I have seen will be received either a "Best" or "Most" category exactly ONCE, it is getting increasingly difficult every year but I managed somehow. There are certainly several overlaps but I have tried my best to give them the awards that they deserve!


- Everyone's opinion of movies, like all other art forms, is really subjective. These are my PERSONAL opinions so of course there will be some agreements and disagreements. Constructive and destructive criticism is always welcome as long as you have a valid point!


- I'm ALWAYS looking for suggestions! Unlike most people, I'm kind of behind on all the streaming services, and not be able to watch some movies in theatres clearly destructs my urge to watch them right away. This also applies to the films that are only given a limited release that I didn't get a chance to catch when they were in (selected) theatres. So even though there are some movies, such as Society of the Snow and The Eternal Memory, that I might check out eventually, those are just not on my list of priorities right now. But if you have any more suggestions, feel free to let me know, and I will "give out" appropriate awards for them once I have watched them!


The "Best" List:

Best Drama – Oppenheimer

Best Comedy – The Holdovers

Best Action – John Wick: Chapter 4

Best Romance – No Hard Feelings

Best Musical – Wonka

Best Horror – Saw X

Best Science Fiction – The Wandering Earth II

Best Animation – Spider-Man: Across the Spider-Verse

Best International Feature – Godzilla Minus One

Best Novel Adaptation – The Hunger Games: The Ballad of Songbirds and Snakes

Best Comic Book Adaptation – Blue Beetle

Best Sequel – Mission: Impossible – Dead Reckoning Part One

Best Remake – Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Box Office Achievement – Taylor Swift: The Eras Tour

Best Safe Card – Dungeons & Dragons: Honor Among Thieves

Best Copycat – Anyone But You

Best Tribute – Scream VI

Best Redemption – A Haunting in Venice (A shift in theme and tune from the first two Kenneth Branagh’s adaptation of Hercule Poirot’s stories made it much more entertaining!)

Best Underdog – Are You There God? It’s Me, Margaret.

Best Family Fun – Migration

Best Visual Effects – The Creator

Best Cinematography – Poor Things

Best Screenplay – Anatomy of a Fall

Best Rising Director – Celine Song (Past Lives)

Best Returning Director – Martin Scorsese (Killers of the Flower Moon)

Best Rising Star – Violet McGraw (M3gan)

Best Returning Star – Zac Efron (The Iron Claw)

Best Voice Star – Chris Pine (Wish)

Best Reunion of Onscreen Duo – Andy Lau and Tony Leung (The Goldfinger)

Best Cameo – George Clooney (The Flash)

Best Villain – Nicholas Cage as Dracula (Renfield)

Best Salvation Character in a Mediocre Feature – Russell Crowe as Father Gabriele Amorth (The Pope’s Exorcist)

Best Prologue – Thanksgiving

Best Opening Credits – The Killer

Best Ending(s) – American Fiction (Couldn't find a link for the ending(s), probably never will, so I encourage everyone to watch the film to see how brilliant it is. Trust me, it will be worth it!)

Best Sound Design – Zone of Interest

Best Soundtrack – “Ask Me Why (Mahito’s Commitment)” & “The Great Collapse” (The Boy and the Heron)

Best Song – “I’m Just Ken” (Barbie)

Best Use of an Existing Song – “Feeling Good” (Perfect Days)

Best Speech – Air

Best Line – “Stop running and let the Flerkens eat you” (The Marvels)

Best Incorporation of Modern Technology – Missing

Best Incorporation of Multicultural Media – Creed III (Giving off the anime vibe in fight sequences like this)

Best Cultural Clash and Representation – Joy Ride (Bonus points for distinguishing Chinese identity from general Asian identity)

Best Utilization of Senses Other Than Sights and Sound – The Taste of Things

Best Behind the Scenes Moment – Harrison Ford and Ke Huy Kwan reunion at the premiere of Indiana Jones and The Dial of Destiny (That is WAY more interesting and heartwarming than the movie itself!)

Best Trailer – Sisu (Much better than the movie itself!)

 

The "Most" List (The "Participation Trophies" award the movies that excel in a nontraditional category):

Most Agitating – The Exorcist: Believer

Most Confusing – Saltburn

Most Impactful – Jawan

Most Energetic – The First Slam Dunk

Most Nostalgic – The Super Mario Bros. Movie

Most Inspirational – Gran Turismo

Most Personal – Elemental (Read the statement from Director Peter Sohn here)

Most Heartwarming – Suzume

Most Heartbreaking – Beau is Afraid

Most Emotional – All of Us Strangers

Most Thought Provoking – Shortcomings

Most Innovative Narrative – Monster (For reinventing Rashomon story structure)

Most Screwed Up – Dicks: The Musical

Most Empty – Landscape with Invisible Hand

Most Mediocre – The Last Voyage of the Demeter

Most Disappointing – Magic Mike’s Last Dance

Most Forgettable – Assassin Club (Watched on a plane!) & Insidious: The Red Door

Most Tranquilizing – Knock at the Cabin

Most Surprising – Napoleon (For keeping me engaged throughout the movie)

Most Surprising Box Office Hit – Five Nights at Freddy’s

Most Promising Sequel – The Nun II

Most Consistent Sequel – Shazam! Fury of the Gods

Most Likely to Have a Satisfying Sequel – Transformers: Rise of the Beasts

Most Interesting Interpretation of Source Material – Haunted Mansion (compared to the 2003 movie of the same name)

Most Useless Remake – The Color Purple

Most Desperate for Critical Acclaim – Maestro

Most Overexpected (expectation higher than reality) – Cocaine Bear

Most Overlooked (and definitely worth a second look in the future) – May December

Most Divided (I find it quite decent, but almost everyone else hates it) – Ant-Man and the Wasp: Quantumania

Most Controversial (does not deserve all the hate it gets) – The Little Mermaid (2023)

Most Drastic Shift in Tone from its Predecessor – Aquaman and the Lost Kingdom

Most Likely to Appreciate It More If I Know the References – The Blackening

Most Visually Distinctive – Asteroid City

Most Effective Aesthetic Choice – The Boogeyman (lighting and lack of lighting)

Most Stereotypical Portrayal of a Family Relationship – Ruby Gillman, Teenage Kraken

Most Accurate Portrayal of a Vicious Cycle of Stardom – Dream Scenario

Most Promising Talent – Cailee Spaney (Priscilla), a returning winner from first NFLB Awards (Most Promising Newbie)!

Most Wasted Talent – Robert De Niro (About My Father)

Most Charismatic Action Star – Jason Statham (Meg 2: The Trench)

Most Attractive Star – Madison Iseman (Knights of the Zodiac)

Most Consistent Director – James Gunn (Guardians of the Galaxy Vol. 3)

Most Relatable Character – Paul Dano as Keith Gill (Dumb Money)

Most Sympathetic Character – Charlie Day as “Latte Pronto” (Fool’s Paradise)

Most Adoring Relationship – Alma Pöysti as Ansa + Jussi Vatanen as Holappa (Fallen Leaves)

Most Abusive Relationship – Priyanka Chopra Jonas as Mira Ray and Sam Heughan as Rob Burns (Love Again)

Most Disappointing Third Act – Next Goal Wins

Most Predictable Plot – Zombie Town

Most Tragic Death(s) (followed by the best title reveal of the year) – Evil Dead Rise

Most Horrifying Sequence – Talk to Me

Most Satisfying Fight Sequence – The Equalizer 3

Most Outrageous Action Sequence – Fast X

Most Hilarious Fight Sequence – Strays

Most Shocking Climax – Ferrari

Most Likely to be Enjoyed More as a Standalone – Expand4bles

Most Likely to be Appreciated by More People in the Years to Come – Theater Camp

Most Likely to Set Off a Cinematic Trend – Silent Night (Movies without dialogues)

Most Damaging Marketing Strategy – Trolls Band Together (For revealing plot points in the trailers that should be hidden as a surprise!)

 

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